Protection from racial profiling.

Facial Weaponization Suite: Fag Face Mask courtesy of Zach Blas
Facial Weaponization Suite: Fag Face Mask courtesy of Zach Blas

In an attempt to see what some of the art world is saying about privacy and technology these days I ran across artist Zach Blas who is creating masks that I found to be very intriguing. Zach is taking pictures of people who share some sort of demographic such as race or sexuality. He then aggregates their physical features using 3-Dimensional software to create a mask that is then unrecognizable to facial recognition software. He began doing this because he was concerned that facial recognition technologies have programmed certain physical characteristics as a base or norm for identifying very diverse groups of people.

The following video explains further how facial recognition technology heavily relies on norms of race, age, class, and sex. This inherently will cause the technology to discriminate against minorities which is what inspired Zach to create his “Facial Weaponization Suite” series.

What I find interesting about Zach’s work is the way that it comments on how masks are viewed in our current society. Many countries around the world have laws making it illegal to wear masks during a protest. In New York it’s illegal for 2 or more people to be wearing a mask in a public place together. In Canada new laws can give people a sentence of up to ten years for wearing mask where a riot is taking place. Some of the fear around masks is legitimate and understandable but the government might be contributing to it for there own agenda of creating facial recognition databases. What is interesting about Zach’s masks is that they are simply worn by people who would rather not be racially profiled. Unlike the scary undertones that some local government laws might project, this time the good guys wear masks .


Facial Weaponization Communiqué: Fag Face from Zach Blas.

I for one think this is a nice change of pace for the modern mask. After all masks have been found in different cultures and societies for centuries. Ancient Greece used masks to depict theatrical tragedies. Countries in Asia and South America placed gold masks on royalty for burial. In other parts of Africa and Asian masks have been used in rituals related to hunting, fertility or religion. Masks are continually utilized today for purposes of festivities as well as protection from cold winds. All of these examples are positive examples of masks being used throughout history, I find it refreshing to see an artist creating masks that draw attention to the fear that surrounds masks all the while questioning the validity of technologies that governments use to “keep us safe”.

My New Friend Pinterest

When I look back on my Coetail experiences I think there are several ways in which I have engaged in on-line communities and used them to help my professional growth. From the very beginning in course one I was introduced to readers and immediately got sucked into Digg.  There are so many different blogs out in the art world and art education world that I have been plugged into for the last two years.  As a result I am constantly discovering new artists that I am then in turn sharing with my students and colleagues. One Artist I recently discovered through my Digg reader on Colossal is Scott Blake. This was a great little video I showed my animation students when I was introducing the simple idea of flip books and stop motion.

In an attempt to take my online professional community one step further I set up a twitter account. I was hoping to begin to develop a community on twitter that would keep me informed and discovering new ideas. Unfortunately that hasn’t happened for me just yet.  I’m not giving up but it has yet to become a regular check in for me. One on-line community that has suddenly taken off for me though is pinterest.  It was all a little unexpected but as an art teacher it total make sense.

mkhmarketing
mkhmarketing

I’ve been viewing other peoples boards for a while now because they are constantly popping up when I am doing searches that might relate to a material or concepts that I’m preparing to teach in my room. Earlier this year I finally decided that it was time for me to start making my own boards on pinterest. The plan was to simply have a holding space for things that influence me or ideas that I might want to revisit for a future lesson.

What surprised me shortly after I set up my account was how many people I knew were suddenly following me.  Many of these people are artists and art educators that I have know or come into contact with professionally or academically at some point.  I have loved seeing what types of things some of my previous colleagues have been pinning.  Some of them are even creating boards for specific classes where students can also share images on subjects that inspire them.  I love this idea and would like to explore it in some of my future classes.

Screen Shot of a pinterest board I share with a colleague.
Screen Shot of a pinterest board I share with a colleague.

The most exciting discovery for me though with my new interest in pinterest has been the ability to share images with my current colleagues.  The other art teachers that I currently work with are also on pinterest and we are all constantly pining images on each others boards that are related to conversations and units that we are currently engrossed in.  My colleague Michael and I teach different sections of the same class.  We have been doing some redesigning of our classes this semester and pinterest has become a great communication tool for us to share images. We often share ideas we feel we could use in class or use to help guide the design of our units. I have to say that this use of pinterest has been an unexpected and very pleasant surprise.

I do hope to get back to my abandoned twitter account at some point but for now I think I would like to work on nurturing this new found community in pinterest and explore its possibilities.

 

Drawing on the Flipped Side of your Brain.

Da Vinci HeadAs I have been going over the content of course 4 and reflecting on it though my blogs and others the topic that sticks out the most to me is the idea of the flipped classroom.  I pointed out in one of my previous posts reasons as to why I think this would be relatively helpful and at times easy for me to implements as an art teacher.

The top 4 reasons I’d like to flip:

  1. Flipping would save class instruction time and give students more time for their art which is always a top priority for my class time.
  2. Students would be able to review my instructions as often as they like.  This would also help give me more time to help students who are needing further clarity or wish to extend themselves.  At the moment a lot of my one on one time is spent simply repeating things from my demonstrations, videos for review would eliminate this repetition.
  3. Flipping lesson would give me a platform to introduce deeper concepts that sometimes get cut out of my lessons because we are short on time. I could easily introduce other concepts and bits of art history to give students more background on our current subject matters.
  4. Demonstration videos would be very easy to make since I am already doing many of them under a demo camera at the moment. With technology I can easily enhance them when appropriate.

As I have been reading through articles and other blogs I have come to realize that there are many other possible benefits to flipping the 4 I have mentioned.  I’m excited to see if these four possible benefits are noticeable once I have flipped a lesson or two.  I’m also curious to see what other types of benefits or possible setbacks may occur in the process.

I have decided to focus on simply flipping a lesson or two to start.  As I was reading Jon Bergman’s article on Flipping the Elementary Classroom, several ideas for flipped lessons came to mind. Bergman says to start will a lesson instead of a whole unit or class, and that you should pick one the historically students have struggled with.  When I read this a lesson on negative space that I have done many times immediately came to mind.

Looking Back: My lesson on negative space is a drawing exercise.  This particular lesson focuses on one of many exercises that I have taken from Betty Edwards and Drawing on the Right side of the Brain. Students draw the negative spaces around a stool so that when they are finished they end up with a well proportions outline of a stool.  It sounds simple when I type it out but it is actually very difficult because our eyes are not trained to look for negative spaces. I find this exercise to be incredibly helpful and it immensely helps student to find better proportion in there art work.  The problem is that I often find the demonstration of drawing negative space to be rather confusing for many of the students. I end up spending a lot of class time working with kids one on one to find the negative spaces and I rarely have enough time to get to everyone.

Looking Forward: Flipping the instruction for this class could be very beneficial for my students.  Technology could greatly enhance my demonstration.  When I do this lesson in class I often put a stool up on a table for everyone to see and then under my demonstration camera I draw the negative spaces and talk through it. A video demonstration for students to view on their own could look very different. I could use a split screen effect with a photo of the stool on one side of the screen and then a video of me drawing on the other side.  This way students can easily see the two side by side This is a big improvement over the live version in class where they have to look back and forth.  Another bonus to making a video for this demonstration is that I could easily draw on top of the photo using Explain Everything and show the students the negative space in a way that I haven’t been able to in the past.

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Prior to the demonstration portion of the video I can show different examples of positive and negative spaces in other artwork to help explain the keep concept.  I’m hoping that this new use of technology will further enhance students understand of the concept as well as more clearly explain the exercise so that they can easily jump into practicing.

To be sure that my students have taken the time to watch the flipped videos I will have a small drawing assignment for them to complete in their sketchbooks. The drawing assignment will be a sort of entry ticket into class, if they haven’t watched the video they will have to do so in class, taking away from their work time. This short sketching assignment will also give them a little practice with the exercise being taught and at times will become the beginning stages of another assignment down the road.

I plan on flipping a couple of other lessons as well in the same manner.  Each focuses on drawing exercise for the same class.  If all goes well I hope to continue to develop flipped lessons for some of my other classes.  Since the class I am focusing on is mostly a drawing class my videos will be mostly tutorial.  Other videos for other classes could easily give more insight into art history and deeper artistic concepts as well.  This is my ultimate goal,  flipping lessons, units and eventually classes.  Hoping to free up more time in class for critiques, discussions and more than anything, creating.

 

What’s your problem?

As I was doing a little research into problem based learning, also know as PBL, I quickly found myself watching videos and reading articles about project based learning, also PBL.  Soon enough I lost track of whether or not I was trying to learn about ProblemBL or ProjectBL.  I began to wonder whether or not this was a common issue and what really was the difference between the two.  I actually found this very helpful chart from Edutopia that helps to spell it all out for me.

As you can see there are a lot of similarities between the two teaching methods. Both strategies seem to engage students in independent and collaborative problem solving skills. They actually seem to be more alike than different, I think the changes come in the actual problem that is being looked at.  As an art teacher I see a lot more potential for the arts being a part of project based learning rather than problem based learning.  With project based learning there is a final product that is often constructed some how.  This may not always be the case with problem based learning because it is more often than not linked to a single subject matter.  I could see problem based learning being easily applicable to a design class, where real design problems are presented but with project based learning we wouldn’t be limited to only design problems, we would have a larger array of artistic avenues to present our findings because it would often be interdisciplinary.

Project based learning actually reminds me of STEAM (better know as STEM). STEM is project based learning that incorporates Science, Technology, Engineering and Math into one problem. STEAM integrates the arts into that same problem. Often times STEAM can lend itself to functional design problems but it is not limited to that.  I once taught at a school where we helped the kids to present their STEM findings through artistic expressions.  Our presentations involved art installations, dance, song, light shows and instrumental performances.  Often times several artistic elements were combined to help present students findings.  It was exciting to see these types of problems be presented in such artistic and expressive ways.

 STEAM isn’t the only application of project based learning that is possible for art teachers though. Art is a project driven subject, the challenge for the teacher is to find the real world problems to apply. I think this could be the challenge for many teachers.  Finding the problems.  We need to be finding the problems with the students.  That is where these projects need to start and I’m not so sure that problem based learning is helping the kids to come up with the problem.  I think it is helping in many other areas but it is also important the the problem presented art of interest to the student and that they are real problems. I suppose that STEAM always helping kids come up with the problems either.  Usually the problem is presented and the students try to solve it.

How can we help the students to find the problems? This is where I look at art from another lens.  That is one of the things I love about the arts is how versatile it is.  From one artistic lens we can use art to help us solve problems like in the cases of functional design and STEM.  With another artistic lens we can use art to help point out the problems.  Artist are asking hard questions all the time and expressing their findings and wonderings about the world. Maybe we need to start looking to artists to help find the problems more often.  Contemporary artist are showing us the problems in their own way.  We need to be observing first in order to start any problem solving. Observation then enquiry, as an artist that is one thing I know for certain.

Here is a contemporary piece done by the Spanish Art collective Luzinterruptus exactly what I’m talking about.  Observing, wondering and showing us problems our world.  This could be a good place to insert a few questions.

Breaking Down the Walls

Picture courtesy of Visual Thinking Strategies
Picture courtesy of Visual Thinking Strategies

I’m enjoying the topic of course 3 because I feel visual literacy is often overlooked and yet increasingly essential.  I would argue however that visual literacy is being taught more than most realize and it’s happening in the art room. Visual literacy and sometimes media literacy are core subjects in the art room. George Lucas stated in his  Edutopia article that “We need to take art and music out of “the arts class” and put it into the English class.” This statement points to what I believe is a largely overlooked problem in schools today. I believe each subject tends to be too compartmentalized when in reality, outside school walls the world is not run by lone subject matters but more often a collaboration of subject matters.  Visual literacy doesn’t need to come out of the art room and go into english class. Teachers need to demonstrate how subject areas overlap more naturally. Many teachers do this to a small extent but kids still don’t make the connections. When you tell a student to make a visual for a science class do they stop to apply the elements and principles of art the learned in drawing? Mostly likely the answer is no. I often think that if our school systems were set up with less compartmentalization between subjects then our students would be more equipped to see how everything is intertwined and overlapping. If only we could break down some of the walls between our subject areas.  Then, just maybe students would be more likely to apply visual media and literacy skills they have been nurturing in the art room to observations in literature, science and technology.

As an art teacher I thought I would attempt to start this process by sharing some simple tools that I use to enhance visual literacy. Hopefully a few of you will find this useful in a classroom outside the art room.

  1. VTS, otherwise known as Visual thinking Strategies is a great way to get kids verbally talking about imagery, breaking down there thoughts and expressing them out load.  One thing I love about VTS is that there are no wrong answers, just curiosities and self expression which helps kids to build there confidence. The following is a video of VTS being facilitated with a group of adults. 
  2.  “Picture This: How Pictures Work” by Molly Bang is a wonderful book that shows how simple shapes in different arrangements create expression.
  3. The Elements of Art and Principles of Design are considered to be the common set of vocabulary for talking about and describing visual components of a work of art.  This vocabulary is used in art classes from kindergarden through 12th grade and could easily be used in other classrooms when looking at, creating visuals, or developing descriptive writing

I hope some of my non art teacher colleges might find some of this useful. If you have materials that you think would make a good resource in the art room I would certainly like to hear about it.